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Hercules and the Titans support trompe l’oeil Renaissance columns, arches and balconies. Venus in all her glory is on the opposite wall, and the arched painting is a self-portrait of the artist as a Doge of Venice receiving Asian Ambassadors. The "frescoes" were painted on large strips of canvas then installed onto the walls. Marchiori has used regular latex house paints that give a very good effect as ancient frescoes. It is more practical to plan and paint on the studio tables than climbing the walls.


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